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	<title>New Music Scrapbook</title>
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	<link>http://newmusicscrapbook.com</link>
	<description>Born of desperation and raised by wolves, NEW MUSIC SCRAPBOOK congeals the musical detritus and burnt offerings of the composers beneath, above and within the University of Minnesota. Dig here for music and interviews. And we mean deep.</description>
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		<title>January 22: DECONSTRUCTION</title>
		<link>http://newmusicscrapbook.com/2012/01/january-22-deconsruction/</link>
		<comments>http://newmusicscrapbook.com/2012/01/january-22-deconsruction/#comments</comments>
		<pubDate>Sat, 14 Jan 2012 15:13:11 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Announcement]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=307</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<title>February 13: SYMBIOSIS</title>
		<link>http://newmusicscrapbook.com/2011/02/february-13-symbiosis/</link>
		<comments>http://newmusicscrapbook.com/2011/02/february-13-symbiosis/#comments</comments>
		<pubDate>Wed, 02 Feb 2011 02:54:32 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Announcement]]></category>
		<category><![CDATA[Scotty Horey]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=301</guid>
		<description><![CDATA[]]></description>
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		<title>CMW Ylem Preview</title>
		<link>http://newmusicscrapbook.com/2010/11/cmw-ylem-preview/</link>
		<comments>http://newmusicscrapbook.com/2010/11/cmw-ylem-preview/#comments</comments>
		<pubDate>Mon, 08 Nov 2010 22:12:38 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Bob Whalen]]></category>
		<category><![CDATA[Colin Holter]]></category>
		<category><![CDATA[Jeremy Wagner]]></category>
		<category><![CDATA[Joshua Musikantow]]></category>
		<category><![CDATA[Michael Duffy]]></category>
		<category><![CDATA[Schuyler Tsuda]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=298</guid>
		<description><![CDATA[This conversation featuring composer/performers Mike Duffy, Colin Holter, Josh Musikantow, Schuyler Tsuda, and Jeremy Wagner and conductor Bob Whalen illuminates the preparations the CMW has undertaken toward a performance of Karlheinz Stockhausen&#8217;s cosmic epic Ylem.]]></description>
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		<title>Music and Industrial Machines in the Digital Age</title>
		<link>http://newmusicscrapbook.com/2010/09/music-and-industrial-machines-in-the-digital-age/</link>
		<comments>http://newmusicscrapbook.com/2010/09/music-and-industrial-machines-in-the-digital-age/#comments</comments>
		<pubDate>Thu, 23 Sep 2010 21:49:38 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Announcement]]></category>
		<category><![CDATA[Joshua Musikantow]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=292</guid>
		<description><![CDATA[Music and Industrial Machines in the Digital Age: Our Changing Relationship to Technology Joshua Musikantow Abstract: From the publication of Balilla Pratella&#8217;s &#8220;Technical Manifesto of Futurist Music&#8221; in 1911 up until the sudden increase in the accessibility of synthesizer technology beginning in the 60’s, experimental composers of all backgrounds were enthusiastic about electronic music’s potential [...]]]></description>
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		<title>Dyspnoea</title>
		<link>http://newmusicscrapbook.com/2010/09/dyspnoea/</link>
		<comments>http://newmusicscrapbook.com/2010/09/dyspnoea/#comments</comments>
		<pubDate>Wed, 01 Sep 2010 18:01:21 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Jeremy Wagner]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=269</guid>
		<description><![CDATA[Dyspnoea by Jeremy Wagner Irvine Arditti, violin About Jeremy: Jeremy Wagner is a composer living and working in the Twins Cities.  On occasion he will play saxophone.  He is also prone to nerding out on mathematics, physics and computer music.]]></description>
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		<title>Interview: Jeremy Wagner</title>
		<link>http://newmusicscrapbook.com/2010/08/interview-jeremy-wagner/</link>
		<comments>http://newmusicscrapbook.com/2010/08/interview-jeremy-wagner/#comments</comments>
		<pubDate>Tue, 31 Aug 2010 01:38:57 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Jeremy Wagner]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=206</guid>
		<description><![CDATA[Colin Holter interviews Jeremy Wagner. On music and society: Even with my son, when it&#8217;s bedtime and I play him the guitar and make him sing along, it&#8217;s the best thing in the world—I hear his voice and we&#8217;re doing something together. And nobody&#8217;s hearing it but us, but that&#8217;s why music is so important [...]]]></description>
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		<title>A Joan That Truly Cares About Y-O-U</title>
		<link>http://newmusicscrapbook.com/2010/08/a-joan-that-truly-cares-about-you/</link>
		<comments>http://newmusicscrapbook.com/2010/08/a-joan-that-truly-cares-about-you/#comments</comments>
		<pubDate>Thu, 26 Aug 2010 14:48:47 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Nick Zielinski]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=257</guid>
		<description><![CDATA[A Joan That Truly Cares About Y-O-U by Nick Zielinski and Ingo Bethke When I reflect on the best moments of my life, I am struck by the fact that not a single one of those moments occurred while I was alone. In all of them I had someone with which to share the joy. [...]]]></description>
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		<title>Interview: Nick Zielinski</title>
		<link>http://newmusicscrapbook.com/2010/08/interview-nick-zielinski/</link>
		<comments>http://newmusicscrapbook.com/2010/08/interview-nick-zielinski/#comments</comments>
		<pubDate>Wed, 25 Aug 2010 01:37:54 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Nick Zielinski]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=204</guid>
		<description><![CDATA[Colin Holter interviews Nick Zielinski. On being a composer/performer/improviser: The playing informs the composing, which informs the improvising, which informs the playing, so it&#8217;s kind of a circular thing, and it&#8217;s all related. These days I spend maybe 25% of my time practicing technique things on the drums and equal parts composing and improvising after [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Germination Variations</title>
		<link>http://newmusicscrapbook.com/2010/08/germination-variations/</link>
		<comments>http://newmusicscrapbook.com/2010/08/germination-variations/#comments</comments>
		<pubDate>Wed, 18 Aug 2010 13:29:46 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Brett Wartchow]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=17</guid>
		<description><![CDATA[Germination Variations by Brett Wartchow stereo fixed media I fondly recall moments of total wonderment while standing among the trees of Oregon’s old growth forests. Each tree within the forest is a unique ecosystem hosting a myriad of organisms–from the large to the mossy to the invisible–that share dynamic biological synergies. Yet, the true majesty [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Interview: Brett Wartchow</title>
		<link>http://newmusicscrapbook.com/2010/08/interview-brett-wartchow/</link>
		<comments>http://newmusicscrapbook.com/2010/08/interview-brett-wartchow/#comments</comments>
		<pubDate>Tue, 17 Aug 2010 20:42:13 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Brett Wartchow]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=104</guid>
		<description><![CDATA[Colin Holter interviews Brett Wartchow. On the New Music Scrapbook: When I was a kid growing up in the resort, we went through some really tough economic times. My dad&#8217;s an economist, and probably one of the most creative-minded people I know. I can imagine him having the weight of the world on his shoulders [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Kado: The Way of Flowers</title>
		<link>http://newmusicscrapbook.com/2010/08/kado-the-way-of-flowers/</link>
		<comments>http://newmusicscrapbook.com/2010/08/kado-the-way-of-flowers/#comments</comments>
		<pubDate>Wed, 11 Aug 2010 13:35:14 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Schuyler Tsuda]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=199</guid>
		<description><![CDATA[Kado: The Way of Flowers by Schuyler Tsuda Schuyler Tsuda, cello Ikebana, or Kado, is the Japanese art of flower arrangement. While on the surface an aesthetic art form, the practice of ikebana requires one to experience nature in a different way, from a new perspective. Beauty is found not only in the blossom but [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Interview: Schuyler Tsuda</title>
		<link>http://newmusicscrapbook.com/2010/08/interview-schuyler-tsuda/</link>
		<comments>http://newmusicscrapbook.com/2010/08/interview-schuyler-tsuda/#comments</comments>
		<pubDate>Wed, 11 Aug 2010 01:36:25 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Schuyler Tsuda]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=201</guid>
		<description><![CDATA[Colin Holter interviews Schuyler Tsuda. On building instruments: I started taking art classes at some point. My first class was with Chris Larson, and it was a metal sculpture class. I&#8217;m not sure why I took it, to be honest, but I was interested in doing some kind of sound sculpture thing. When I first [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>HUES</title>
		<link>http://newmusicscrapbook.com/2010/08/hues/</link>
		<comments>http://newmusicscrapbook.com/2010/08/hues/#comments</comments>
		<pubDate>Wed, 04 Aug 2010 13:33:09 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Joshua Musikantow]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=193</guid>
		<description><![CDATA[HUES by Joshua Musikantow Whitney Noble (cl.), Dan Hedegard (gtr.), Scotty Horey (perc.), Baylen Wagner (vcl.), and Erik Rohde (cond.) A hue is not properly a color but an equivalence class of colors. A single hue may occur at many different levels of brightness and saturation; nonetheless, it retains a certain nature. HUES coexists in [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Interview: Joshua Musikantow</title>
		<link>http://newmusicscrapbook.com/2010/08/interview-joshua-musikantow/</link>
		<comments>http://newmusicscrapbook.com/2010/08/interview-joshua-musikantow/#comments</comments>
		<pubDate>Wed, 04 Aug 2010 01:34:14 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Joshua Musikantow]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=196</guid>
		<description><![CDATA[Colin Holter interviews Josh Musikantow. On pitch and rhythm: I didn&#8217;t actually know how to notate pitches until ninth grade, so I got a late start, but as a kid I was always trying to learn these crazy polyrhythms and odd meters. So when I started to learn about pitch, I immediately saw a discontinuity [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Obair Pháirce</title>
		<link>http://newmusicscrapbook.com/2010/07/obair-phairce/</link>
		<comments>http://newmusicscrapbook.com/2010/07/obair-phairce/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 13:15:56 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Michael Duffy]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=157</guid>
		<description><![CDATA[Obair Pháirce by Michael Duffy Joe Peters, oboe; Chris Raddatz, contrabass clarinet; Rebecca Wilson, contrabassoon; Clare Harmon, viola; Baylen Wagner, violoncello The title Obair Pháirce comes from the Irish Gaelic and translates to &#8220;fieldwork.&#8221; Over the course of the piece the electronics subject each of the instruments to displacements in time and location. The lingua [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Interview: Michael Duffy</title>
		<link>http://newmusicscrapbook.com/2010/07/interview-michael-duffy/</link>
		<comments>http://newmusicscrapbook.com/2010/07/interview-michael-duffy/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 01:14:30 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Michael Duffy]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=153</guid>
		<description><![CDATA[Colin Holter interviews Michael Duffy. On expanding horizons: A lot of it was through the jazz I&#8217;d been listening to since before high school, even. I mentioned Miles Davis. I had an uncle who was a jazz fan and liked old Blue Note stuff—the Italian side of my family from Philadelphia—organ jazz, Joey DeFrancesco. It&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Techno Sine NoMine</title>
		<link>http://newmusicscrapbook.com/2010/07/techno-sinenomine/</link>
		<comments>http://newmusicscrapbook.com/2010/07/techno-sinenomine/#comments</comments>
		<pubDate>Wed, 21 Jul 2010 13:46:09 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Zachary Crockett]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=108</guid>
		<description><![CDATA[Techno Sine NoMine by Zachary Crockett stereo fixed media About Zac: This Minneapolis coder-composer believes that the creation of meaning is the most important human activity.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Interview: Zachary Crockett</title>
		<link>http://newmusicscrapbook.com/2010/07/interview-zachary-crockett/</link>
		<comments>http://newmusicscrapbook.com/2010/07/interview-zachary-crockett/#comments</comments>
		<pubDate>Wed, 21 Jul 2010 01:43:49 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Zachary Crockett]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=106</guid>
		<description><![CDATA[Colin Holter interviews Zachary Crockett. On meaning: I think the unique position of artists in human society is that we get to work more explicitly with meaning than anyone else does, so I feel like there&#8217;s a really deep moral imperative to pick the right meanings. Artists present something that they hope will shape the [...]]]></description>
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		<title>It Plays You</title>
		<link>http://newmusicscrapbook.com/2010/07/it-plays-you/</link>
		<comments>http://newmusicscrapbook.com/2010/07/it-plays-you/#comments</comments>
		<pubDate>Wed, 14 Jul 2010 12:43:43 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Colin Holter]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=46</guid>
		<description><![CDATA[It Plays You by Colin Holter John Cummins (alto saxes) and Scottie Wright (tenor saxes) Two ideas informed the speculation that led to It Plays You: ﬁrst, the somewhat mystical tradition of post-bop virtuosity in which the instrument may be said to be playing the performer rather than vice versa; second, the media furore that [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Interview: Colin Holter</title>
		<link>http://newmusicscrapbook.com/2010/07/interview-colin-holter/</link>
		<comments>http://newmusicscrapbook.com/2010/07/interview-colin-holter/#comments</comments>
		<pubDate>Wed, 14 Jul 2010 01:40:32 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Colin Holter]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=60</guid>
		<description><![CDATA[Brett Wartchow interviews Colin Holter. On tasteless music: There&#8217;s a little bit of a thrill about writing music that&#8217;s a little bit tasteless but that looks like contemporary music. One of the things that it&#8217;s taken me a while to do is write tasteless music. I&#8217;m really kind of invested in that now. If there&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Lost</title>
		<link>http://newmusicscrapbook.com/2010/07/lost/</link>
		<comments>http://newmusicscrapbook.com/2010/07/lost/#comments</comments>
		<pubDate>Wed, 07 Jul 2010 14:00:50 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Richard Yates]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=29</guid>
		<description><![CDATA[by Richard Yates Scotty Horey (perc.) and Clay Whitney (perc.) About Richard: Richard is a master&#8217;s student at the University of Minnesota studying composition and recently finishing his degree in choral conducting.]]></description>
		<wfw:commentRss>http://newmusicscrapbook.com/2010/07/lost/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Interview: Richard Yates</title>
		<link>http://newmusicscrapbook.com/2010/07/interview-richard-yates/</link>
		<comments>http://newmusicscrapbook.com/2010/07/interview-richard-yates/#comments</comments>
		<pubDate>Wed, 07 Jul 2010 01:39:59 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Richard Yates]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=58</guid>
		<description><![CDATA[Colin Holter interviews Richard Yates. On getting started: I started writing music when I started playing piano; I think that was the first time, and it must be because of my piano teacher. She must have said, &#8220;You can just write what comes to mind, too; you don&#8217;t necessarily have to sing what&#8217;s on the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Don&#8217;t Call Me Norman</title>
		<link>http://newmusicscrapbook.com/2010/06/dont-call-me-norman/</link>
		<comments>http://newmusicscrapbook.com/2010/06/dont-call-me-norman/#comments</comments>
		<pubDate>Wed, 30 Jun 2010 12:30:25 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[James Holdman]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=32</guid>
		<description><![CDATA[Don&#8217;t Call Me Norman by James Holdman Pat O&#8217;Keefe (cl.), Heather Barringer (perc.), Shannon Wettstein (pf.) About James: musician/composer/improviser/educator.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Interview: James Holdman</title>
		<link>http://newmusicscrapbook.com/2010/06/interview-james-holdman/</link>
		<comments>http://newmusicscrapbook.com/2010/06/interview-james-holdman/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 14:36:41 +0000</pubDate>
		<dc:creator>colin</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[James Holdman]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=41</guid>
		<description><![CDATA[Colin Holter interviews James Holdman. On titles: There are degrees of ambiguity and multiple meaning, if there&#8217;s any meaning at all. Part of the titling in strange ways is that I like the way that words sound juxtaposed, whether they have any meaning or not. Another aspect of these strange titles is that I&#8217;m interested [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>About</title>
		<link>http://newmusicscrapbook.com/2010/06/about/</link>
		<comments>http://newmusicscrapbook.com/2010/06/about/#comments</comments>
		<pubDate>Mon, 14 Jun 2010 21:13:30 +0000</pubDate>
		<dc:creator>Zachary Crockett</dc:creator>
				<category><![CDATA[Announcement]]></category>

		<guid isPermaLink="false">http://newmusicscrapbook.com/?p=4</guid>
		<description><![CDATA[Born of desperation and raised by wolves, NEW MUSIC SCRAPBOOK congeals the musical detritus and burnt offerings of the composers beneath, above, and within the University of Minnesota. Dig here for music and interviews. And we mean deep. Stay tuned throughout Summer 2010 for weekly updates.]]></description>
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		<slash:comments>0</slash:comments>
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